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Tips & Techniques Home



Monoprinting With Pigment Inks



Monoprinting With Pigment Inks
Contributed by:
Martha Myers

I learned this technique in a class taught by Sandra McCall.  In traditional monoprinting, printer's inks are used and you get one print (hence the name "Mono").  The use of pigment inks allows you to get three prints.  The first print is the darkest, the second is lighter but still good for backgrounds and such, and the third print is very faint but excellent for making coordinating envelopes or covering the inside of journals.

Materials:
  • 81/2 x 11" sheets of bond paper (various colors)
  • Acrylic (or glass) board that is slightly larger than your sheet of paper
  • Pigment reinkers (I use Colorbox reinkers)
  • Brayer 
  • Cosmetic sponges
Monoprinting With Pigment Inks - Stamp Artist - Martha Myers
Stamp Artist - Martha Myers

Basic Technique

Place the acrylic board over a sheet of bond paper (so you know what size your palette is).

Dab or swirl 2 or 3 colors of pigment ink on the acrylic board in a random pattern.

Take a cosmetic sponge (one for each color on your palette) and spread (dab) the pigment inks over the surface of the board (covering an area that is the size of the bond paper underneath) so you have a thin layer of ink covering the entire surface.  Your ink should be thick enough so that white areas do not show through but not too thick to appear "gloppy".  The design you create with the inks on the board is part of the fun of this process.

Once your palette is covered with your ink design, you can use rubber stamps (bold line or solid stamps work best) or "combing" tools to create patterns in the ink.  If you use rubber stamps, stamp your image once with a slight twisting motion in the ink, and then stamp off on a clean sheet of bond paper.  Repeat this step until you have the pattern you want in the ink. 

Note: if you do not stamp off the ink each time you stamp an image, you will not get a clear impression the next time and you will smear your inks together on the palette.  

You can use your "stamped off" paper in your final project or make a matching envelope out of it, etc.  If you use "combing" tools to create your pattern, your finished sheet will have the appearance of handmade paste paper.

Lay a sheet of bond paper (any color) onto the inked board and brayer across the back of the entire paper several times.  If you do not want the back of your paper dirtied, then lay a second sheet of bond paper on top of the first and brayer over the top sheet.  Peel your paper off the board and look to see what you have!

Repeat step 5 with another sheet of bond paper to get a slightly lighter version of your first print.  If you have originally applied the inks in a thin layer, you should be able to get three prints off of one inking.  By using different colors of bond paper for each print, your prints all end up being different. (In fact, the color of bond paper you print on can change the whole look of your print in my opinion).

When ready to make another set of papers, just start with step 2 and repeat the process.  You do not need to clean your board between inkings as there is not enough ink left on it to interfere with your new colors.  When you're done, you can clean your board with water or baby wipes.

Once you have the basic process established, you can get more creative… try sprinkling
Powdered Pearls, Pearl Ex or Faerie Dust onto your palette in step 3 to add shimmer to your final print.  I also like to sprinkle embossing powder on my first print and heat set it to add some texture.  The ink is still wet enough on the first print after step 6 for the powder to adhere to it. You can also try printing onto heavier weight paper and/or even textured paper (if I use textured paper, I usually don't create a pattern with the stamps or "combs" as the texture provides enough pattern in my opinion).

Note: the papers that come out of this process are very dramatic…don't be surprised if your initial reaction is "Yuck!!" (I know mine was!).  Just remember, you will be using just a small portion of the paper in your final composition and that really makes a difference.


Monoprinting With Pigment Inks - Sample on bright yellow paper.
Sample on bright yellow paper.

Monoprinting With Pigment Inks - Sample on buff colored paper.
Sample on buff colored paper.

Monoprinting With Pigment Inks - Sample of "combed print".
Sample of "combed print".

Monoprinting With Pigment Inks - Sample of tan colored paper.
Sample on tan colored paper.

Monoprinting With Pigment Inks - Sample on white paper.
Sample on white paper.




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