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Tips & Techniques Home



Caught in Crystal Technique
(AKA Future Floor Finish technique)



This project was contributed by Stamp Artist Martha Myers
See Stamp Credits at the bottom of this page.



"Patriotism"

 


I have recently become enamored with this technique as developed by Deb Cowan, and featured as February's
Project of the Month at A Monthly Rubber Stamps Club.

I didn't have any Tsukineko dye reinkers, which is what Deb recommended using, so I decided to play around with different inks that I did have on hand with the following results.




The technique is basically a four-step process:

  • Stamp your image on a thermal transparency with black ink. I use Document Ink, available from Stamp Zia, in order to get a complete image the first time.  Any ink that dries permanent will work, I just prefer Document ink over any of the others I've tried.  Document ink dries faster than the Brilliance graphite yet stays wet long enough to wipe off if you make a mistake.  Heat set the image with your heat gun or let it dry completely.  If you want, you can seal this with a matte sealant but it's not necessary if the image is completely dry.
  • When the image is dry, tape the transparency along all edges stamp side down to scrap paper (so no inks can seep under the transparency). Pour a small puddle of Future Floor Finish (available at the grocery store) onto this and spread it with a brush to cover the whole image. Sprinkle glitter if you want onto this layer.
 

"Nautilus Sphere"
  • Crumple a piece of white tissue paper and smooth it onto the transparency to cover it. Pour another puddle of the Floor Finish onto this and "drop" different colored inks onto the surface. Blend them together with your finger or a brush and dab with a Kleenex to remove some of the color if it looks too dark in places. Heat set this layer or let it air dry (if air drying, it will take a couple of hours).
  • When dry, pour another final layer of Future Floor Finish onto it and heat set to dry (or again let it air dry). When dry, smooth the tissue paper with your hand to make sure it is sealed onto the transparency then cut the image off of the scrap paper. Trim it and mount it to your piece with any adhesive.


"Asian Vase"

As I said, I don't have the Tsukineko inks, so I modified the technique somewhat by using other inks.

I used alcohol-based reinkers on the Nautilus Sphere and the Asian Vase.  These inks are not as dark as the dye-based reinkers I own so I didn't have to remove much color in step 3.

I used Posh Impressions Rainbow Inks for both the Sunny Citrus and Patriotism.  These dye inks came out better than any of my other dye inks and were easy to control and blend on the tissue paper.




Finally, I used Dr.
Ph Martin's Calligraphy Colors inks for both the VIVE LEROY and Celestial Beings.

I wanted to try pearlescent colors to see how they looked and I really liked the way these inks turned out. For the use of these inks/paints, I modified Steps 2 and 3 above.

Instead of pouring a puddle of Future onto the transparency in Step 2 and sprinkling with glitter, I just spritzed it with a little water and dribbled the inks onto that. When I laid the tissue paper on top of this I used a Kleenex to "dab" it onto the piece. This blended the colors underneath and also dried it a little so it required little heat setting.

When dry, I poured a puddle of Future Floor Finish onto it, spread it around and heat set it to dry again.
The final layer of Future seals the tissue paper to the transparency and turns the piece transparent.

"VIVE LEROY "



"Celestial Beings"
Because the pieces created with this technique are somewhat transparent, the background will show through (i.e. on the Asian Vase, you can see a "hint" of the Asian writing showing through the vase).

Also, you can play around with different colors of paper to mount them onto.

I found that some background colors completely obliterate the image. So with some pieces, I mounted them first to a piece of white paper and trimmed it so the white didn't show along the edge. Then I mounted to whatever background I wanted.

The Zia Square Collage shows another variation to this technique. In that sample, Powdered Pearls were used instead of inks.

With this variation, drop
Powdered Pearls (or any powdered pigments) into the puddle of Future Floor Finish and spread around to blend.

Cover with the tissue paper and heat set to dry.

Then cover with a final layer of Future and let dry.


"Zia Square Collage"


"Sunny Citrus"

TIP: Another variation is to create the piece without stamping an image first on the transparency. When dry and cut out, you can then stamp and emboss an image onto the front for a different look.

What I like most about this technique is how adaptable it is to whatever materials you have on hand and it's always a surprise when you cut out the finished piece to see what you've got.

Happy stamping!




STAMP CREDITS





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